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The free-standing marble legs, seemingly precariously balanced beneath the floating plane of glass create an almost magical feel for this coffee table as there seems to be no logical explanation for why it does not collapse. Available in both round and rectangular versions this table works equally well as a stand-alone piece as well as part of a combination set to create a larger piece that is flexible enough to work in almost any layout. Unlimited combinations of colour and texture are available through the mingling of materials and form when blending two tables together.

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Building on the ideas explored in the marble and glass version of this table we developed a way to work with the material of wood to achieve a base which appears precariously balanced beneath the floating plane of glass. Available in both round and rectangular versions this table works equally well as a stand-alone piece or as part of a combination nesting set to create a larger piece that is flexible enough to work in almost any layout. Unlimited combinations of species and colours are available through the mingling of materials and form when blending two tables together.

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The driving idea behind the design of this piece was the desire to create a table that could be extended infinitely. The double layering of the top combined with differing heights of each table allows for a variety of nesting options that can expand in any direction as well as allowing for a single table that can be used in smaller spaces or as a larger end table.

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A collection of individual tables that can come together in various configurations allowing an exciting level of customization and variety. The sizes and shapes can be customized to fit any space and there is also the option to use the tables individually as smaller coffee tables or end tables (the height of the base can be customized upon request).

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The coffee table version of this table explores similar ideas to the dining table Great Expectations that inspired the design for this piece. The offset base allows for a variety of differing visuals depending on the line of sight while the thin plane of the circular or oval shaped top floats above. Available in both wood and marble this table can be nested with a second table to allow combinations that can fit any space.

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One idea that I am consistently playing with is developing objects which can be repeated to create combinations that shift the appearance of a piece depending on how they are placed in relation to each other. This coffee table is, in reality, made up of three identical side tables which are rotated sixty degrees to each other to create the classic form of a triangle. The contrast of the skewed pentagon of each individual table top plays off the contrast with the final form which can, of course, be configured in multiple compositions with unlimited possibilities depending on the number of tables being used and the manner in which they are arranged.

Quinlan Osborne

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A coffee table consisting of a slab of marble which appears to float above a base of ultra-clear or bronzed glass. By hand shaping the underside of the marble slab this floating effect is a simple gesture that elevates the design in a subtle yet compelling manner. Available in either square or round and in two different heights the table can be placed alone or in combination with the “Remember Me” table.

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One table, multiple configurations. By tilting a box in two directions and experimenting with the number and configuration of the tables, dynamic forms emerge that create numerous possibilities for the look and feel of the finished piece. The angle of the sloped side also creates an unexpected footrest when positioned parallel with a sofa or chair and adds a level of playfulness to the overall design.

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To float a thin slab of marble six inches above the ground with the simple reverse pyramid form which tapers down to a 3/8” thick edge. The idea of a low table is inspired by the Japanese tea tables which acts as much as a podium as it does a table surface.

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The title of this piece refers to a novel by the Irish writer Flann O’Brien at swim – two – birds which in its most basic interpretation is a book about somebody who is writing a book. The novel is layered in nuances and meaning which is what inspired the idea of placing a table within another so as to call into question which is the real table. Is the glass box to be interpreted solely as a display case in the way a museum protects its artifacts or is it perhaps something more?

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This all marble table offsets a rectangular top over a triangular base creating a piece that is both simple and complex, one that shifts in appearance from delicate and light to solid and grounded. The weight of the base allows for an alternating single or double cantilever when viewed from opposite elevations. Available in various marbles there is also the opportunity to create them in custom sizing and pairs which can be nested if so desired.

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The visual impact of this table depends on how it is positioned as it can be perceived primarily as a large monolithic block or as an extreme cantilever that seems to defy possibility. When combining two tables together there are various configurations which allows for several interesting and dynamic combinations of materiality and form due to the double-sided nature of each piece.

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A simple table with a subtle gesture where the marble top appears to float above the glass base. Achieved by hand shaping each piece of stone, the thin edge disguises the actual thickness of marble while achieving a sense of disconnect from the glass base. The result is a unique piece that retains a feeling of fragility and delicateness combined with the rich texture of the marble top.

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This table was the result of an investigation into combining the two main methods of sculpture, namely the removal of mass from an object vs the application of material. The final form is divided into a specific number of layers which are then, in a sense reassembled using the stack lamination method to create the finished piece. The simplicity of the circular top and how it relates to the asymmetrical base as it twists and turns creates a sense of visual play that remind me of certain movements seen in contemporary dance.

Quinlan Osborne

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Developed as a side table version of the Collected Memory series of coffee tables this piece can be customized in size and height to work with any layout. It is a piece that plays with asymmetry to create a solid marble table that has a sense of fluidity and playfulness.

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I wanted to see what the interaction was between the shapes of an extruded pentagon and one of it’s 5 identical isosceles triangles. By separating the moment, on either side of the triangular base, where the two forms merge into one another, a striking asymmetry emerges that creates a piece which shifts it’s appearance constantly depending on the line of sight.

Quinlan Osborne

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The Plaster version of this table explores the same shape of an extruded pentagon as the solid wood version. By separating the moment, on either side of the triangular base, where the two forms merge into one another, a striking asymmetry emerges that creates a piece which shifts it’s appearance constantly depending on the line of sight. Available is three standard sizes and several colour finishes the tables can be arranged as nesting tables to create multiple variations.

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A side table with floating marble shelf that is as functional as it is beautiful. The glass enclosure allows for items to be displayed on both surfaces and is available in both ultra-clear and bronzed glass which allows for multiple combinations of colour and materials. Modular by its nature and open on both ends this table can also be combined to create various coffee table configurations suitable for both large and small spaces.

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The floating shelf of marble punctuates this minimalist console with a touch of the unreal. Without the use of any concealed hardware the invisible joint between the marble and the glass creates an effect that is both striking yet elegant and refined. The glass enclosure allows for items to be displayed on both surfaces and is available in both ultra-clear and bronzed glass which allows for various combinations of colour and materials. Available in both console and writing desk versions, depending on the height of the floating shelf, it creates a stunning yet flexible piece appropriate for many situations.

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An all marble console that explores the sculptural possibilities of interconnecting triangles. Available in custom heights and lengths this console plays with symmetry and proportion to create a finished piece that feels balanced and grounded. Assembled and finished by hand here in Montreal each piece combines an in-depth knowledge of traditional techniques of craftsmanship and artistry with a desire to create something decidedly contemporary.

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A console which has four distinct elevations. The strength and weight of the piece creates a sense of stability while simultaneously appearing as if it may fall over at any minute. The asymmetrical, triangular base in combination with the cantilevered top creates a piece that is both simple and complex, fragile and permanent depending on which elevation is displayed.

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This table combines the beauty of marble with a twist of suspense. The triangular legs create for several differing view points where the table in turn feels as if it is supported by the thinnest blades of marble prompting a sense of disbelief yet from another vantage point the legs appear both massive and solid grounding the table with a feeling of strength and permanence. Available with one continuous top or as modules which can be combined together to achieve almost unlimited lengths the table can be customized for any space.

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The round version of this table explores similar ideas as its rectangular sibling where the offset base allows for a variety of differing visuals depending on the line of sight. Available in both wood and marble this table can be customized to fit any space.

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An unexpected shift in appearance is the central idea behind the design of this chair. It switches from precariously balanced to solid and permanent through the clever use of a triangular base which creates the illusion that the chair is missing one leg. Also available in limited editions of stainless steel and brass every chair is assembled and finished by hand combining an in-depth knowledge of traditional techniques of craftsmanship and artistry with a desire to push the boundaries of what is possible in contemporary design and fabrication.

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A Limited edition of 8 plus 2 Artist Proofs are available for this chair in both stainless steel and brass. They are available in either a mirror polish or brushed finish. Version AP-02 in polished stainless is shown in the images here.

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A chair that creates separation with transparency, solitude without disconnection. Within the walls of glass, a floating slab of marble adds weight and texture to the delicate nature of this piece. The chair is available in two heights which allows for choice between complete or partial separation. The minimal nature of the design and the simplicity of the form creates a chair that can disappear into the background or provide a more prominent silhouette when using bronzed glass.

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A single slab of marble is suspended between 3 panes of glass to create this remarkable bench which emphasizes both the beauty of the stone and the delicate yet deceptive strength of the transparent base.

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A hand-crafted slab of marble or onyx is suspended between 3 panes of glass to create this remarkable bench which emphasizes both the beauty of the stone and the delicate yet deceptive strength of the transparent legs. Every slab is structured by hand by master craftsmen to achieve a level of strength which allows this bench to reach lengths of up to five feet without any central supports.

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The strong horizontal line created by the marble slab of this bench is accentuated by the cantilevered shelf which is separated from the seat by a vertical blade of glass. This seemingly impossible cantilever is achieved without any concealed fasteners and adds a sense of illusory to the minimalist nature of the design. Available in various combinations of marble and ultra-clear or bronzed glass as well as a choice of fabrics this bench is a simple yet bold gesture suitable for almost any setting.

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A floating slab of marble suspended between panes of clear or tinted glass with no hidden hardware or mechanical fastenings adds a level of tension to the everyday act of sitting down where one has to force themselves to suspend their disbelief and place their faith in the unseen. Assembled using a technique that combines the craftsmanship of two traditional industries and materials, the invisible nature of the bonds reinforces the notion of floating and lightness as well as a sense of fragility which in turn initiates a moment of pause and reflection.

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This sofa delicately entwines the worlds of art and design creating a piece where the notions of stability and tension are balanced with the desire to ground a piece within a larger context. Combining the exaggerated cantilever of the seat plane and the monolithic aspect of the large slab (back) forces the sofa to be considered from both the front and rear creating an element that can float within a larger space. The vertical plane acts as a divider allowing separation both functionally and aesthetically and creates a visual anchor to any space regardless of its scale.